I’m a faithful fan, huge admirer and loyal lover of British and American method ‘how to make high literature more teenager-friendly’. This trick is
easy, simple & plain: films, movies, TV versions, adaptations. With very
significant ending ‘S’ emphasising plurality, yes, especially for title Shakespeare.
According to Wikipedia source this England-born king of tragedy is ‘the most filmed
author ever in any language’
with around 500 film versions of his plays produced until today.
Dramas are meant to be watched not read. Mostly by adults not adolescents. Yet the
obligation of school is to introduce classic belles-lettres to underaged,
usually by teachers of mother tongue. As a schoolmistress of Polish I do know
something about it... Since the moment I saw Romeo/Leo di Caprio and
Juliet/Claire Danes in 1996 I’ve felt jealous of this wide range of screenings to
which my English or American analogues can refer during their lessons. Not only
the eternal author of Hamlet is honored this way. At least every decade new
versions of evergreens by Charlotte Brontë, Jane Austen, Charles Dickens are
made. There are 15 Jane Eyres (I
watched 5), 10 Pride and Prejudices
(I saw 3), 5 Emmas (I viewed 2) but
the absolute record-breakers are Oliver
Twists in the number of 20, including also musicals, cartoons, miniseries
and animated films.
My first and beloved Jane Eyre was Charlotte Gainsbourg, again in 1996, happy time of my Cracow studies:) I found everything so ideal and perfect in this movie that I completely couldn’t understand why on earth some other director attempted to create another one only a year later? Now I know: it’s a constant challenge for crew and cast; it’s a good way to make the drama or novel everlasting for younger and younger audience; finally it’s looking for – finding – presenting universal content in contemporary form.
Back to title William, prince of comedy. It’s such a pity that
most Polish students connect him only with bloody Macbeth, a must read at their age of 16! OK, maybe also with Romeo & Juliet, an all-time archetype
of unrequited love... Why not Midsummer’s
Night Dream with the conventionality of marriage discussion? Why not The Taming of the Shrew with the possibility
of feminist discourse? Why not Twelfth Night, or What You Will with timeless qui-pro-quo theme? Why death and
murder instead of fun and laughter? Especially since there are
teenage-targeted adaptations which I recommend all language-learners, both
before and after 18th birthday.
If you never heard of She’s the Man or 10 Things I Hate About You, just read the poster and watch the trailer. Long-lasting but also life-teaching laughter is guaranteed! I wish we had similar screenings of Polish classics too...